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Joshvir Part 1
Josh at 7 months
96 Impala SS bracket race at Island Dragway August 2005
96 Impala SS bracket race at Island Dragway, NJ - August 2005 - here you can see me tap the brakes and hear me back off as I coast pass Matty Gill in a bracket race - the MPH was 96 and the ET 12.91 - I guess I scrubbed off some MPH eh? hehehehe Car was doing 12.50's at 111 earlier that day with horrendous 2.0 60 ft times.
"Art of War" Trailer
Neil Shaw ist ein Agent, der für die Vereinten Nationen geheime Operationen durchführt. Ein vom UN-Generalsekretär Douglas Thomas angestrebtes Wirtschaftsabkommen mit China ist in Gefahr. Als der chinesische Botschafter getötet wird, wird Shaw als Täter verdächtigt. Shaw deckt eine Verschwörung auf, zu der sein Kollege Robert Bly gehört. Dabei hilft ihm die Übersetzerin Julia Fang, die jemand zu töten versucht. Bei einem Anschlag bringt jemand eine Bombe in die Bar, in der Fang sich gerade aufhält. Shaw beobachtet es, rammt mit seinem Auto die Wand der Bar, wirft die Bombe in das Auto und lässt es rückwärts fahren bis die Bombe explodiert. Die UN-Mitarbeiterin Eleanor Hook erweist sich als Drahtzieherin der Anschläge, sie wird erschossen. Unterstützt wurde sie vom chinesischen Unternehmer David Chan, der das gleiche Schicksal erleidet. Shaw tötet seinen Ex-Kollegen Bly, fingiert am Ende seinen eigenen Tod und versteckt sich in Frankreich in der Gesellschaft von Fang. Regie: Christian Duguay Drehbuch: Wayne Beach Simon Barry Produktion: Nicolas Clermont Wesley Snipes Ron Yuan Musik: Norman Corbeil Kamera: Pierre Gill Schnitt: Michel Arcand Darsteller: Wesley Snipes Donald Sutherland Maury Chaykin Anne Archer Marie Matiko Michael Biehn Cary-Hiroyuki Tagawa Liliana Komorowska Spieldauer: ca. 111 Minuten FSK: Freigegeben ab 18 Jahren Release: USA/CDN 2000
A Subtle Upgrade for "Human Embryos"
http://tomorrowsworld.org/index.shtml The English language is a marvelous instrument in the hands of an expert wordsmith. It is capable of tremendous subtlety, and over the centuries the lives of countless men and women have been affected in numerous ways by the manner in which its vast collection of words have been manipulated and shaped whether to rally the faithful to the arms of war or to sooth the troubled and hostile crowd. Recently, I noticed a display of the subtle use of the English language as I was reading an article in National Geographic specifically, Hawaiis unearthly worms in its February 2007 edition. In the article, populated with breathtaking photos which are a hallmark of the venerable magazine, was a picture of an acorn worm accompanied by the following caption: It has a liver (the nubs along its body) and gill slits like those of sharks—and embryonic humans. Ignore for the moment, the implication behind the misleading use of the phrase gill slits (and the 18th century frauds of militant evolutionist Ernst Haeckel) and consider the pair of words dramatically offset in the caption: embryonic humans a dramatic yet subtle change from the more common media phrase: human embryos. With all of the talk these days about using human embryos as mere organic fodder for experimentation a resource to be harvested this interchange between adjective and noun is painfully illustrative of societys sentiments. Why cant we experiment on human embryos? one might ask. Arent they just like human blood, human hair, human teeth, human organs, etc.? When we discuss treating these objects as something to be experimented with or manipulated or frozen or destroyed or dissected or handled in whatever manner we please, then the object is an embryo which just so happens to be human. Yet in this caption, in which supposed evidence of evolution is being hinted at, we find the same object described not as a human embryo but as an embryonic human. Do you see the shift of emphasis? Sleeping human, angry human, old human, young human, short human, tall human, comatose human embryonic human. Putting it this way, the object is seen not as a thing which just happens to be related to humans, but as a human who just happens to be in a particular state. A world of difference, actively implied by a subtle interchange of words and driven by the agenda of the moment. Its a subtle difference, yes, but the deceiver of this world, Satan the Devil, trades in subtleties. In the King James translation of the Bible, he is introduced to us as the serpent in the Garden of Eden, where, we are told, the serpent was more subtle than any beast of the field (Genesis 3:1). In the world of secular evangelism subtleties are very often pressed into service, and one can pack a great deal of dogma into a well crafted subtlety. Want to abort it? Experiment on it? Buy and sell it? Its a human embryo. Want to prop it up as evidence for the faith of evolutionism and the dogma of godless human origins? Its an embryonic human. But the reality of the humanity of the child in the womb, and the falsehood of the atheistic fairytale that is modern evolutionary thought, isnt dependent on the subtleties of the English language. They are declared by Almighty God, the source of truth and wisdom (John 17:17, Psalm 111:10). And a day is coming when that God will hold us accountable for how we have used the words we have spoken (Matthew 12:36). If you would like to learn more about how to discern truth over spin, consider ordering our free booklet, The Bible: Fact or Fiction? Nothing will help you more in seeing a lie for what it is than being powerfully familiar with the truth. The booklet is made available as an educational service for the public, absolutely free and with no obligation. A presentation of the truth by Wallace G. Smith and the Living Church of God. As seen throughout the entire world on Tomorrow's World Program.
Gillian Welch & David Rawlings - Sing That Rock 'n Roll
Gillian Welch & David Rawlings - I Wanna Sing That Rock 'n Roll (Live)
